
2008 Premiere: AvS gallery opens first exhibit of the year
The
Alexey von Schlippe Gallery of Art at UConn Avery Point opened its
premiere exhibition for 2008 March 14 in the Branford House Mansion.
The exhibition highlights the talent of local artists Gretchen Higgins
of Groton, Pamela Pike Gordinier of Stonington, Annelie Skoog of
Norwich, and Lise Lemeland of Alfred, N.Y.
Photographer Gretchen
Higgins is an events coordinator at Mystic Arts Center. Her photo essay
In Black and White, featuring photos of New York City and New London,
is part of the premiere exhibition. Director and curator of the Alexey
von Schlippe Gallery Julia Pavone describes Higgins on the gallery’s
Web site as creating “stark, poetic, emotionally moving photographs in
black and white that tell an in-depth story, pretty or not, to the
viewer.”
“She brings to this exhibition, portraits of two
cities, their grit and their beauty, in the form of intense photo
essays/installation on New London and New York City,” Pavone continued.
“I had been an avid collector of black-and-white photography
for over 30 years when I was given my first camera, took a class, and
became hopelessly addicted to the magic of the darkroom,” Higgins said.
Higgins
describes her work on display at Avery Point as photographic essays of
New York and New London and their commonalities.
“There are
approximately 50 small images of Lower Manhattan, mounted, hinged, and
arranged in a zigzag fashion down the center of the space,” she
explained. “Eighteen framed prints of downtown New London line the
walls.”
When taking pictures, Higgins said she snaps anything
that might satisfy her quirky sensibility and has enough contrast to be
effective in black and white.
“For an exhibit this size, I usually shoot about 10 rolls of film, make about 100 prints, and edit those,” she said.
She
admitted that her least favorite picture on display is her photo of the
front of a wine shop on Bank Street in New London because it took her
more than three hours in the darkroom to prepare for exhibition.
“It is included because it is one of the many signs of renewal in New London,” Higgins noted.
Pamela
Pike Gordinier, Pavone said, is an artist who teaches privately at the
Mystic Arts Center and alternative high school students. Higgins added
that Gordinier is part of the center’s board of directors.
Gordinier’s
work results in a different type of image and manages to turn the
wheels in the minds of her viewers. For her current exhibit at Avery
Point, Gordinier stated on the gallery’s Web site that she asked
friends, neighbors, and strangers: “If God exists, what one question
would you ask?”
“This exhibit is a visual representation of
those myriad questions—the hopes, fears, and ideas that connect and
divide us,” Gordinier continued. “It is my hope that by becoming aware
of each other’s viewpoint, we can begin a dialogue for understanding
and change. As I collected and read the questions that had been sent, I
cried, laughed, and was awed by how personal and profound they were. I
am indebted to the people who have participated in this project.”
She
said to present the ideas people had provided, she adapted a labyrinth
as a metaphor for questioning one’s life journey and hung illuminated
books of questions. She also created a vessel to receive a “feast of
ideas” and an urn.
Visitors to the gallery are welcome to
participate in the experience and submit their own questions to deposit
into the vessel. Gordinier explained that names will not be attached to
the questions but will be documented for a potential book, and the
questions that are collected during this exhibit will be burned and
placed into the urn.
Also a member of the Mystic Art Center,
artist Annelie Skoog displays her watercolor exhibit, mentioning marine
environment and nature as her inspiration.
“I work almost
exclusively in watercolor, because I like the transparent and
luminescent quality of this medium,” she said on the gallery’s Web
site. “I am largely self-taught, but have taken a number of evening
classes in drawing, composition, and watercolor. For the past two
years, I have shared a studio with a group of other artists in New
London. Close-up, detailed views are my favorite way of working with an
image. This is because I find that the close-up view tends towards an
abstract quality that is appealing to me. I also use my detailed
paintings to help me really see the world surrounding me, to allow my
mind to dwell on one specific image until I understand it beyond the
surface.”
Displaying detailed and vibrant patterns, Lisa
Lemeland stated on the gallery’s Web site that her aquatints and mixed
media on paper in the exhibit were inspired in part by Indian carpets.
“My
fascination with textiles, however, is not limited to rugs, but extends
to many fabrics including lace,” she said in her statement. “Lace,
embroidery, and lace elements have become an integral part of the
patterning on my most recent paintings. My work is a result of a
longtime fascination with pattern in its many forms and related
theoretical discourses. In a broader sense, my painting is a response
to certain preconceptions about decoration and its secondary status is
contemporary art theory.”
From Indian and Turkish to South and
Central American carpets, Lemeland said these types of carpets have
provided the structural foundation for her paintings.
The
premiere exhibition of 2008 at the Alexey von Schlippe Gallery of Art
runs until Sunday, April 20, For more information, visit
www.averypointarts.uconn.edu or call 860-405-9052.